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Recent News & Stories from Contemporary Drama.

This page will keep you up-to-date with the latest postings from all four Contemporary Drama blogs. Check back frequently for updates from the CD Newsletter, Publisher's Corner, Church Drama Dialogue and Drama Teacher's Diary. Contemporary Drama Service is your number-one source for theatre and drama resources for schools and churches.


May 19, 2009
Excerpt from:  Drama Teacher's Diary

Community Theatre Production of Oliver

Makeup and blackout tips

As I mentioned in my May 21, 2008 blog, one of the joys of retirement is being involved in theatre as an actor. I am re-cooping from my latest adventure into our community theatre production of Oliver with 110 folks in the cast.  Yes, you heard me right, 110; over 70 being the orphans and Fagin’s gang. In each production I always learn something new.  This time I learned about under eye makeup and seeing in a blackout. 

Makeup Tips

Community Theatre Production of Oliver

As I was playing Old Sally, a drunken sot who dies in her one scene where she admits to stealing Oliver’s mother’s locket when she died giving birth to Oliver, I decided to darken my teeth, have a cough, and make myself look like I was on death’s door.

On page 200 of my book The Drama Teacher’s Survival Guide I included a picture of myself as a pirate.  One of the ways I accomplished this was to paint on white eyebrows.  I used this eyebrow technique and originally put dark brown/black above and below my eyes but changed to dark purple.  It carried so much better.  I also lined my upper and lower lid with brown liner along with frown lines and lip lines.  I also was very lucky to have a great costume that only enhanced this very simple makeup.

Seeing in a Blackout

As there were many blackouts during the show our director gave us a super technique for seeing in the dark — close your eyes! As soon as the lights go out, close your eyes and then open them and you can see.  If only I had known this years ago!  I mentioned this to a friend of mine and she nodded — that is how she gets up in the middle of the night and turns on a light in the house — she closes her eyes, turns on the switch and then she isn’t blinded by the change from dark to light. Such a simple solution to a somewhat dangerous situation. 

I am now working on Queen Margaret in Richard III. I have directed and taught Shakespeare but never acted in a show — another new experience for me.       


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